![remo williams cast remo williams cast](https://consequence.net/wp-content/uploads/2014/09/remo-williams.jpg)
Turns out this was a smart move, because when I finally stumbled upon a factory/warehouse on Huron Street that looked like the one from the film, I realized that it would have been gone if I was looking in Google’s 2017 view. (Google has a great feature that allows you to switch to older views from their archives -going back as far as 2007- essentially giving you a virtual time-machine.) I did this search in 2017, but knew that the neighborhood had been going through a rapid gentrification, so I tried to keep my street views as old as possible.
![remo williams cast remo williams cast](https://cdn.shopify.com/s/files/1/0555/5932/3802/products/Remo_Williams_Horizontal_Vertebraetal_22x6.5x8_Unique_Cast_Bronze_On_Shedua__Ovangkol___4500_1_2000x.jpg)
Using Google Street View, I checked out the shoreline of Greenpoint, hoping that one of the brick warehouses featured in the film was still around. Knowing the dilapidated pier seen in the film was surely long-gone, I used the Manhattan skyline as a guide to get a fix on where it used to be, and judging by the positions of the Empire State and Chrysler Buildings, I figured it was somewhere in Greenpoint, Brooklyn. I could tell there was a major jump in geography because we could now see the Empire State Building across the river (which is on 34th Street in Manhattan). However, after the two thugs run past the fire hydrant on John Street and wind up at a pier on the water, I got a little lost. ( I also noticed that the production reused the corner of John and Adams later in this scene, making it look like it was a block away.) From there, I deduced that the police car was parked on the corner of John and Adams.
#Remo williams cast windows#
Once I discovered the bricked-up windows of 135 Plymouth Street, I could see that they matched the ones the thugs run past at the top of the scene. Naturally, with the Manhattan and Brooklyn Bridges in the background, it wasn’t very hard to get a general fix on the location of this opening scene, but to figure out the exact spot, I had to do a little roaming around the neighborhood. And because the desolate waterfront area of Brooklyn and Queens was a short trip across the East River, it helped keep costs down and prevented the cast/crew from having to go too deep into the dangerous urban jungle. It was an easy way to show the gritty, deserted terrain of a poverty-ridden New York, while also highlighting the iconic skyline in the background. Officer Makin sneaks up in his patrol car, with the factory/warehouse at 1 Huron Street in the background.Īfter beating up all the suspects, Makin and his patrol car are shoved into the East River by a big industrial truck.įilming along the East River looking towards Manhattan Island seemed to be a ubiquitous motif in NYC films during the 1980’s. The action then jumps about 2 miles north, where the two thugs corner the other guy in a small, dilapidated pier on the East River between India Street and Huron Street. The two thugs run past a fire hydrant in front of 1 John Street. Officer Sam Makin sits in his patrol car, parked in front of 135 Plymouth Street, when a suspicious-looking guy runs past him.Ī few seconds later, two street thugs run by, chasing after the first guy. The camera tilts down to reveal the Brooklyn Bridge and the Downtown Manhattan skyline in the background.
#Remo williams cast movie#
The Opening The movie opens with a shot of the Manhattan Bridge from the corner of John Street and Adams Street in Brooklyn. The film stars Fred Ward in the title role and Joel Grey in old man Korean make-up. Filmed partially in Brooklyn and Manhattan, “Remo” offers a nice glimpse into 1980’s New York, including the iconic Statue of Liberty surrounded by massive scaffolding as it was undergoing major restorations. Based on The Destroyer pulp paperback series, this film follows the creation and training of Remo Williams, a New York City cop who is unwillingly recruited as an assassin for a super-secret government agency, known as CURE. Although it fared poorly in the box office, and received mixed reviews upon its released, “Remo Williams” has become somewhat of a cult classic in its ensuing years.